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Arturia CS80 V VSTi RTAS 2.0 | 59 MB

In almost every way, the CS80 was a seminal synthesizer, marking the moment at which polyphonic synthesis matured from unreliable and hit-or-miss (such as the Oberheim Four-Voice) or huge and unaffordable (such as the Yamaha GX1) to moderately affordable, moderately transportable, and moderately reliable. What's more, the CS80 was an instrument in ways that no previous synthesizer could claim to be. It particular, it sported a beautiful, wooden, velocity-sensitive keyboard that offered polyphonic aftertouch and had the feel of a quality piano. And, in an era when most polyphonic synths were just hyperactive string machines, each of the eight notes generated by the CS80 was formed from two complete synth voices, each boasting a dedicated oscillator, dual filters and dual contour generators. Add to this ring modulation, a chorus/vibrato generator, a huge ribbon controller, plus 22 preset memories and four user-programmable memories (a big deal in 1978), and it's no wonder that it made such an impact.

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