Magesy

Reggae Fundamentals is a specialized sample compilation which includes 33
construction kits and 12 Drumkits sheltered in 2 GB of ready to work content
offering authoritative most current Reggae environments. The kits are jam
packed with everything you need to give your production the finishing touch:
bass-, synth-, drum- and padlines also vocals, FX and atmospheres. All
patterns, shots, and riffs have been molded with state of the art techniques,
tricks and tools. This set has a colossal variety of styles from different
periods of reggae history:

Roots, modern Roots, Rub-a-Dub, Dancehall, Modern Reggae, Caribbean and Dub.

Pure Fire
Blazin` Beats for the next Level

Profile
Equipped with 20 pumping construction kits based on minimalist influence
with a blast of artificial texture overload. These stealthy, covert themes
were made to fuel endless high-tech tracking needs. Each kit includes intro/
outro, verses and refrains standard. 900 loops are bundled for excessive
alternative personalization options.

With version 4, KONTAKT enhances its position as the professional's
sampler of choice. Building on the outstanding features of the
previous versions, including the unrivaled audio engine and
state-of-the-art semi-modular architecture, KONTAKT 4 delivers new
sonic horizons for your music. An expanded sound collection connects
you to an immense number of instruments, and the new Authentic
Expression Technology (AET) is at the cutting-edge of dynamic and true
instrument simulation.

Straightforward and simple, Vintage Amp Room emulates three great guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It’s easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking.

Amp Room has none of the added gadgets or weird-sounding presets sometimes found in simulation software. Focusing on quality and accuracy, it simulates three amps, with sounds that are timeless and authentically raw. The goal is not to give you a pre-produced, ultimate guitar sound, but to provide you with the ultimate tool to create your own. Because after all, only you know exactly what sound you want.

Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual strings around for those thunderous spring effects, and a Tension control that tightens or loosens the springs to cover a wide range of spring reverb sounds.

Bass Amp Room was designed to handle all your bass amp needs, from dirty rock to modern clean, keeping two equally important goals in mind. The first was to give the user the best possible sound quality. The latter was to create an intuitive plug-in which allows for a really fast work flow. Time is money, but cutting down on time shouldn't mean you have to accept poor results.

Bass Amp Room consists of a model of a classic bass amplifier, three distinctive speaker cabinets with click-and-drag mics, and a blendable DI section with tone controls and a limiter. That's it. And it's all you need to create a unique signature sound - the strength lies in the ease of use of the individual blocks and the huge range of sounds these can produce when combined.

In short, Bass Amp Room is all about getting a sound you know you can trust, and getting it quickly, from a plug-in you don't need a degree in computer science to handle.

The Passive-Active Pack is a collection of three very different equalizers, each with its own character and quirks. The equalizers contain emulations of real workhorse equalizers, used on thousands of recordings from past to present.

Passive Equalizer is a three-band EQ with an unprecedented clear and open sound, a warm low end and sparkling top.

Active Equalizer is Passive's counterpart with three fully parametric bands and a tight and focused sound.

Focusing Equalizer is an untraditional take on the EQ concept where the low, mid and high bands move automatically and musically in relation to the high and low cut filters. It also features filters from the Passive and Active EQ's as well as an outstanding one-knob Saturation control.

Screaming guitar feedback made easy

Release your inner beast with the first realistic guitar feedback simulator on the market. Go from moderate and subtle to rampant and wild by the twist of a knob (or two). To break new musical ground, try inputting a synthesizer, a violin, or even your mother’s grand piano.

Acoustic Feedback comes bundled with a limited version of the White amp from Vintage Amp Room.

Many "modeled" compressors are nothing more than futile attempts to get an off-the-shelf algorithm to match its hardware counterpart by tweaking a few parameters like the knee and attack/release times. But anyone who has worked with hardware compressors knows that there must be more to it. And there is.

The heritage of analog compressors very much showcases the history of electronics in the previous century. It's the deficiencies of the different designs and components that give each unit its unique character, and what started out as technical limitations have now become sought-after sounds. Simply approximating the most apparent features is not enough to capture this uniqueness. It takes a model of great complexity and accuracy to make a digital replica sound like the original with all settings and inputs.

Metal Amp Room was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. It was co-developed with Patrik Jensen (The Haunted) and tailored to his needs. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. The cabinets were measured in the In Flames studio (previously known as Studio Fredman) by Tue Madsen and Patrik Jensen.

Tube-Tech CL 1B is a true studio classic, heard on tons and tons of records for the past 20 years. Like its hardware counterpart, the Tube-Tech CL 1B native plug-in sounds soft, smooth, groovy and can compress an insane amount of dB's without sounding bad.

The CL 1B plug-ins by Softube are the only Tube-Tech plug-ins that are fully endorsed by Tube-Tech.

This version requires no DSP hardware but uses the same outstanding modeling technology and algorithms as the famous Tube-Tech CL 1B plug-in for TDM and PowerCore (distributed by TC Electronic). The sound is of course just as fantastic as its predecessor. With this unprecedented accuracy, down to details such as the precise VU meter behaviour, the Tube-Tech CL 1B plug-in is definitely in a league of its own.

Tube Delay is a marriage between analog and digital, combining the warmth and natural compression from tubes with the features and versatility of a digital delay. The effect is perfect for fattening vocal tracks, adding slapback echo to drums or getting a gritty delay for guitars!
Features
1000 ms delay
Sync tempo to host
Vintage style passive EQ
Gritty feedback feature
Tube preamp simulaton
Available in native VST, AU and RTAS format for both Mac and PC.

The one that started it all.