Magesy

The Passive-Active Pack is a collection of three very different equalizers, each with its own character and quirks. The equalizers contain emulations of real workhorse equalizers, used on thousands of recordings from past to present.

Passive Equalizer is a three-band EQ with an unprecedented clear and open sound, a warm low end and sparkling top.

Active Equalizer is Passive's counterpart with three fully parametric bands and a tight and focused sound.

Focusing Equalizer is an untraditional take on the EQ concept where the low, mid and high bands move automatically and musically in relation to the high and low cut filters. It also features filters from the Passive and Active EQ's as well as an outstanding one-knob Saturation control.

Screaming guitar feedback made easy

Release your inner beast with the first realistic guitar feedback simulator on the market. Go from moderate and subtle to rampant and wild by the twist of a knob (or two). To break new musical ground, try inputting a synthesizer, a violin, or even your mother’s grand piano.

Acoustic Feedback comes bundled with a limited version of the White amp from Vintage Amp Room.

Many "modeled" compressors are nothing more than futile attempts to get an off-the-shelf algorithm to match its hardware counterpart by tweaking a few parameters like the knee and attack/release times. But anyone who has worked with hardware compressors knows that there must be more to it. And there is.

The heritage of analog compressors very much showcases the history of electronics in the previous century. It's the deficiencies of the different designs and components that give each unit its unique character, and what started out as technical limitations have now become sought-after sounds. Simply approximating the most apparent features is not enough to capture this uniqueness. It takes a model of great complexity and accuracy to make a digital replica sound like the original with all settings and inputs.

Metal Amp Room was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. It was co-developed with Patrik Jensen (The Haunted) and tailored to his needs. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. The cabinets were measured in the In Flames studio (previously known as Studio Fredman) by Tue Madsen and Patrik Jensen.

Tube-Tech CL 1B is a true studio classic, heard on tons and tons of records for the past 20 years. Like its hardware counterpart, the Tube-Tech CL 1B native plug-in sounds soft, smooth, groovy and can compress an insane amount of dB's without sounding bad.

The CL 1B plug-ins by Softube are the only Tube-Tech plug-ins that are fully endorsed by Tube-Tech.

This version requires no DSP hardware but uses the same outstanding modeling technology and algorithms as the famous Tube-Tech CL 1B plug-in for TDM and PowerCore (distributed by TC Electronic). The sound is of course just as fantastic as its predecessor. With this unprecedented accuracy, down to details such as the precise VU meter behaviour, the Tube-Tech CL 1B plug-in is definitely in a league of its own.

Tube Delay is a marriage between analog and digital, combining the warmth and natural compression from tubes with the features and versatility of a digital delay. The effect is perfect for fattening vocal tracks, adding slapback echo to drums or getting a gritty delay for guitars!
Features
1000 ms delay
Sync tempo to host
Vintage style passive EQ
Gritty feedback feature
Tube preamp simulaton
Available in native VST, AU and RTAS format for both Mac and PC.

The one that started it all.

Key Features

The sounds from 17 classic and rare string machines
Over 2.5Gb of data
66 individual sample sets
49 notes, each individually sampled and looped
Dual Layer & Split Keyboard capability
Vintage style Ensemble & Phaser effects
Lowpass, Bandpass & Highpass Resonant Filter Section
Two Envelope Generators
Pitch LFO
Dynamic control including filter aftertouch
700+ Patch library

The Gofriller Solo Cello represents a major step forward in software
musical instrument technology and provides a level of realism and
expression never before heard in the industry.This new instrument
integrates the Native Instruments Kontakt 2 sample player and can be
used as a standalone instrument, as a VST, DXi, RTAS or Audio Units
plug-in, and can be used with supported notation programs.