Magesy

Princeton Digital 2016 Plate Reverb VST v1.0.0.2-AiR
Size: 2,3 MB
PC

Sinus MultiLens VST v3.0 Incl Keygen-AiR
The MultiLens plug-in consists of four bandpass filters, which are arranged in parallel in the stereo panorama.

Size: 918 Kb
PC

The most interesting and unique feature GlissEQ offers you is its filters with dynamic behavior

Size: 10.5 Mb
PC

When creating Toraverb, we did not base it on any current reverb unit available in the market. We did not implement any off-the-shelf algorithm. Toraverb is not a classic type reverb unit like spring, room,hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb.

Size 3,7 Mb
PC

MATRIX - The Voice Coder

SIze: 7 Mb
PC

KLON - The Vocal Designer
Size: 7 Mb
PC

The multi-band pitch shifter PRISM takes a fresh approach to solve the
problem of shifting the pitch of complex sound sources in realtime.
Traditional frequency shifting shifts all frequencies in an input up by the
same amount and thereby alters their harmonic relation and tends to produce
inharmonic results. But it's perfect in dealing with transients.
Size: 10 Mb
PC

TDESIGN - The Transient Former
Size:7Mb
PC

VTAPE - The Analog Tape Suite
Size: 12 Mb
PC

Size:8Mb
PC

De la Mancha has announced the release of dirtbox 3 - an update to the compression/distortion/modulation VST plug-in for Windows. No longer freeware, dirtbox now costs $15.

Native Bundle includes a series of high end processing tools for VST and Apple's Audio Units. If you work with native plug-ins, this bundle covers all your needs when it comes to equalization, dynamic processing (incl. de-essing), reverberation, limiting and maximizing, and now also filters and lo-fi effects.

Auto-Tune is a multi-platform plug-in that corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the original performance with audio quality so pristine that the only difference between what goes in and what comes out is the intonation. Over a typical pitch correction range, it is simply not possible to tell that a sound has been processed, except that it is perfectly in tune.